V for Vendetta is a 2006 film adaptation of the graphic novel V for Vendetta by Alan Moore and David Lloyd. The film was directed by James McTeigue and produced by Joel Silver and the Wachowski brothers, Andy Wachowski and Larry Wachowski, who also wrote the screenplay. The cast includes Natalie Portman as Evey Hammond and Hugo Weaving as V, as well as Stephen Rea as Finch and John Hurt as Sutler. It is also the final film shot by noted cinematographer Adrian Biddle, who died of a heart attack on December 7, 2005.

After the release date of November 5, 2005 was delayed, the film opened in conventional as well as IMAX theatres on March 17, 2006.

The film is set in a futuristic London, and the story follows V, a freedom fighter, who uses terrorist tactics in pursuit of both a personal vendetta and sociopolitical change in a dystopian future Britain.

The story opens with the recounting of Guy Fawkes and his attempt to destroy the British Parliament, which was prevented by his arrest on 5 November 1605. The narrative quickly reverts to the movie's present day, which is a few decades in the future, where government spokesman Lewis Prothero gives a speech showing England to be ruled by a religiously fascist regime.

Evey Hammond, a young woman who breaks curfew, is caught on the street by members of the secret police, known as "fingermen." They are about to rape Evey when a man dressed in black, wearing a Guy Fawkes mask and armed with a set of daggers, intervenes by either incapacitating or killing the fingermen. The man introduces himself to Evey as V and takes her to a London rooftop to show her an event. As the clock strikes midnight on the fifth of November, Tchaikovsky's "1812 Overture" begins playing through the city's PA system and the citizens of London go outside, astounded, to listen to the symphony. In the symphony's climax, The Old Bailey is blown up in a spectacular display of fireworks.

The Norsefire regime, the totalitarian regime of Britain headed by High Chancellor Sutler, explains the destruction of The Old Bailey as a voluntary act of emergency demolition on the part of the government. The police are also dispatched to find Evey, who was identified based on closed-circuit television images showing her in the company of V.

Later on during the day (November 5th), V takes control of the state controlled British Television Network (BTN) by threatening to bomb it. V plays a recorded message in which he declares that he was responsible for the destruction of the Old Bailey, and urges the populace to take a look at their government and rise up with him a year from today, when he will destroy the Parliament building. Coincidentally, Evey works at the BTN. The police under Chief Inspector Eric Finch arrive at the BTN originally with the intent of arresting Evey, but ends up dealing with V instead. V is soon stopped by Lt. Dominic at gunpoint, but Evey maces the officer. Evey is rendered unconscious by the detective, who is himself subdued by V. V takes the unconscious Evey with him.

Evey awakens in V's underground lair, the "Shadow Gallery", which is richly stocked with literature and works of art that he has "reclaimed" from the censors. He explains to her that she will need to remain with him for the next year, because even the limited information she has about him could conceivably allow the police to locate his den.

V begins killing people, starting with Lewis Prothero, the Norsefire talking head. Finch tries to deduce V's identity based on his victim selection. Finch begins to suspect a cover-up, as the victims all appear to be tied to a former detention facility, whose records are conspicuously absent from the government archives. Evey spends an indeterminate amount of time with V, learning, among other things, that he has been heavily scarred in a fire. She eventually volunteers to assist V in one of his missions, apparently in order to escape. She dresses as a young girl to gain access to an apparently ephebophile bishop, making V's assault possible, but Evey flees when V attacks the bishop. She hides with Gordon Dietrich, one of her former superiors at BTN, whom Evey had planned to meet before she was attacked at the beginning of the film. He shows her his collection of contraband and reveals that he is a closeted homosexual who has been forced underground by the Norsefire regime; he tells her that if his house is ever searched, the charge of harboring a fugitive will be the least of his problems, and invites her to stay.

Finch's investigation proceeds, albeit slowly. Speaking with the coroner about one of V's victims, he mentions that V has been leaving a rose with each victim. Recalling that the coroner had once been a botanist, he shows her one of the flowers. She appears rattled, but passes it off by saying that she had thought that breed of rose extinct. At night she is awakened by the appearance of V in her bedroom; she knows V's identity and apologizes to him before V kills her. Finch, having just discovered that the last surviving senior officer from the detention facility is actually the coroner, hurries to her home, but arrives too late to save her. Finch finds and reads her diary, and brings it to the Norsefire council, where Sutler commands him to destroy it and forget its contents. The diary tells the story of the detention camp's medical experiments, which were focused on germ warfare. Almost all of the prisoners died from the experiments. But one, housed in cell "V" (in Roman numerals), not only survived but appeared to gain unusual strength and agility. He apparently destroys the camp through some type of explosion and escapes.

Gordon produces an episode of his show that mocks both the V plot and the Chancellor, reasoning that his popularity will protect him from any truly dreadful consequences. When the police raid his house anyway and attack Gordon, Evey escapes, but is captured by a man in a police commando's uniform. She is held prisoner, shaved, tortured, and interrogated for information concerning V but refuses to divulge anything. She derives strength from a letter she finds hidden in the cell wall. It is the autobiography of Valerie, a former prisoner incarcerated and presumably executed for being a lesbian. When given one last chance to inform on V to escape her execution, Evey says she'd prefer to die. The policeman, who has been hidden in the shadows throughout her interrogations, tells her that her lack of fear makes her free and leaves, leaving the door open. She emerges from the jail cell to find that she has been in V's lair all this time. V has manufactured the entire experience except for the letter from Valerie, which he found in much the same way she did. He wanted Evey to understand his motivations, and to come to grips with her own fear. Evey is very angry at V, but her anger dies down and she recovers and is transformed mentally from the experience. She leaves, promising to see him again before his final attack.

Finch formulates a theory that the diseases researched at the detention centre became the biological weapons used in the terror attacks that propelled Norsefire into power, and that the attacks themselves were staged by Norsefire party members. He is contacted by a man claiming to be the last surviving fingerman involved in the plot. At the man's suggestion, Finch puts Creedy under heavy surveillance. Later, V breaks into Creedy's house and convinces him that Sutler is planning his assassination, based on the surveillance. Creedy agrees to help V take out Sutler when the time comes as relations between Sutler and Creedy worsen considerably. Shortly thereafter Finch discovers that the purported agent has been dead for roughly 20 years, and that V had conned him into investigating Creedy; it is not clear whether the conspiracy theory was true nonetheless or if Finch was merely duped by V. V soon sends "hundreds of thousands" of Guy Fawkes masks to Londoners through the mail. The resulting explosion of "V" sightings puts the nation on edge. Sutler orders a propaganda initiative to remind the population why they need the state and to subdue it through fear again. However, (probably as V planned) out of desperation the state-run propaganda starts spewing out so many alarmist reports, so fast that the populace begins to realize they are being lied to. Finch predicts that under this climate, someone will eventually do "something stupid," bringing chaos, but admits that he doesn't know how to stop V's plan. His predictions prove correct when a fingerman shoots a child wearing a Fawkes mask, setting off a riot.

Evey reappears as promised on the evening of November 4th. After a short dance between the two, V shows her the explosive-laden Tube train he plans to detonate under the Parliament Building, explaining that he has repaired and cleared the unused track in the past years for this purpose. He defers the decision whether to destroy the building to her. V feels that he is part of the old world, which along with Sutler's regime is about to be swept away, and Evey is part of the new world that is to come: the people of this new world should have the freedom to decide their own fate, not him. He then leaves to meet Creedy, who (as promised) has abducted Sutler. Creedy shoots Sutler in front of V even as Sutler's prerecorded speech is being broadcast. V then kills Creedy and his men, suffering mortal injuries in the process. V manages to return to Evey, where he dies in her arms. Evey places V's body on the train, covering it ceremonially with his trademark roses. Finch eventually locates Evey and the train, but allows Evey to send the train on its way. Above ground, hordes of Londoners dressed as Guy Fawkes advance on Westminster. The armed forces, which had been deployed to stop V's anticipated attack, receive no orders from the Chancellery and, at the last moment, stand down rather than fire on the civilians. Evey takes Finch up on a roof to watch the explosions as V's train detonates, destroying the Houses of Parliament amid the resounding notes of the 1812 Overture as it again plays over the public address system.

Producer Joel Silver acquired the rights to two of Alan Moore's texts, V for Vendetta and Watchmen in 1988. Although Watchmen changed hands over the years, Silver did hold on to V for Vendetta.

The Wachowski brothers were known to be huge fans of the graphic novel V for Vendetta, and first wrote a draft for the script in the 1990s before they worked on The Matrix, with which V for Vendetta shares some thematic elements.

Despite the Wachowskis both being fans of Alan Moore and his graphic novels, Moore has explicitly disassociated himself from the movie adaptation, continuing his ongoing dispute over film adaptations of his works. He ended cooperation with his publisher, DC Comics, after its corporate parent, Warner Bros., despite DC's urging, failed to retract statements that Moore called "blatant lies" about his supposed endorsement of the movie in a press release by producer Joel Silver. Moore complained that the script runs contrary to the entire theme of his original work, which was to place two political extremes (fascism and anarchism) against one another, while allowing readers to decide for themselves whether V was right in his actions or simply insane. He argues that this "little moral drama" has been reduced to debating "current American neo-conservatism vs. current American liberalism". He has called this decision "imbecilic" and says he views the script as containing "plot holes you couldn't have got away with in Whizzer and Chips in the nineteen sixties. Plot holes no one had noticed." As per his wishes, Moore's name does not appear in the film's closing credits.

Despite Moore withdrawing his support from the project, co-creator and illustrator David Lloyd supports the film adaptation, opining that the script is very good and that Moore would only ever be truly happy with a complete book to screen adaptation.

Natalie Portman, who plays Evey Hammond, signed on for the film in January 2005, following a highly successful year during which she starred in both Garden State and Closer. Director James McTeigue first met Portman on the set of Attack of the Clones, where he worked closely with her as assistant director of the film. She received top billing for the film. Portman looked forward to shaving her head totally bald for the role of Evey Hammond during the torture scenes, stating that she has wanted to do it for a long time. In preparing for the role of Evey, Portman worked with Barbara Berkery (a dialectologist who had also worked with Gwyneth Paltrow) to perfect her English accent.

Hugo Weaving plays V, although James Purefoy was originally cast as V but left the project six weeks into filming; the exact details or the reason for his departure have not been confirmed, but has been described as 'creative differences' with members of the production team. It was also hinted in an article from Time magazine that he left because he could not stand perpetually wearing the mask. He was replaced as V by Weaving, who previously worked with Joel Silver and the Wachowski brothers on The Matrix.

John Hurt's role as Chancellor Sutler was complete role reversal for him, as he played the part of Winston Smith, a victim of the state in the film adaptation of 1984.

Filmed in both London, United Kingdom and Germany, filming started in early March 2005 at the Babelsberg Studios in Potsdam. A large amount of the film was shot on soundstages and interior designs, with location work done in Berlin for three scenes; the Norsefire rally flashback, Larkhill and Bishop Lilliman’s bedroom. The scenes taking place in the abandoned London Underground station were filmed at the abandoned Aldwych tube station. Principal photography officially wrapped in early June of 2005.

Prime Minister Tony Blair's son Euan Blair worked on the film's production and is said to have helped the filmmakers obtain unparalled filming access to Westminster. This drew criticism for Blair from MP David Davis due to the content of the film. The makers of the film deny Mr Blair's son's involvement in the deal.

On June 15th, members of the cast and crew attended Comic-Con in San Diego, making one of their first major appearances, it was at the Comic-Con that the trailer was shown for the first time. Early July saw the first poster for the film distributed to theatres. On July 22, the first trailer for the film became available on the film's official website. Early posters had taglines such as "People should not be afraid of their governments. Governments should be afraid of their people." as well as "An uncompromising vision of the future from the creators of The Matrix trilogy".

The film was originally scheduled to be released on the weekend of November 5, 2005 with the tagline "Remember, remember the 5th of November", the first line of a traditional British rhyme recounting the discovery of the Gunpowder Plot to blow up Parliament in 1605. The 5th of November 2005 was the 400th anniversary of the infamous plan. The Gunpowder Plot imagery is leant on extensively by both the book and the film, with V behaving as a latter-day Guy Fawkes (albeit more successful) in his destruction of the Houses of Parliament, an event which, in the original graphic novel, took place on that same anniversary in 1997 with V reciting the rhyme and dressed as Guy Fawkes.

However, in late 2005, the announced release date was pushed back, to March 17, 2006. Some have speculated this is due to the London bombings on 7 July and 21 July. The film-makers have denied this, and say it was delayed to allow more time for production, explaining that the visual effects would not be completed in time. Many believe that the Wachowski Bros. were so superstitious that they begged the studio to delay the film until March - the same month that the first Matrix film was released. Either way, the creative marketing angle lost much of its value, although it could still be used for the film's home video release should the distributor select a November release date.

On November 15, a special internet campaign was launched following the delay of the film. Four never-before-seen posters for the film were distributed to four independent websites. All four of these new posters sported a new tagline, "Freedom! Forever!". These new posters, or rather sets of posters have been seen presented in such a fashion that is reminiscent of propaganda-like art. On December 15, a new trailer became available online. Warner Bros. were to promote three of its biggest films of 2006 at Super Bowl XL: Poseidon, 16 Blocks and V for Vendetta. Major theatres decorated the exterior of their buildings with flags featuring the Fingermen logo.

The original score for the film is by Dario Marianelli. The soundtrack also features three other songs: "Cry Me a River" by Julie London, "I Found A Reason" by Cat Power and "Bird Gerhl" by Antony and the Johnsons. The soundtrack was released on March 21, 2006 by Astralwerks Records. It was thought that Massive Attack would contribute to the soundtrack, but they had to pull out due to scheduling clashes.

Three songs were played in the ending credits which were not included on the V for Vendetta soundtrack. The first was "Street Fighting Man" by the Rolling Stones. The next song was Ethan Stroller's BKAB which contains excerpts from black nationalist leader Malcolm X, as well as feminist-writer Gloria Steinem's "Address to the Women of America". The final song was "Out of Sight" from Spiritualized. Also in the film were Tchaikovsky's 1812 Overture and Beethoven's Symphony No.5, both of which played important roles in the film. Dietrich's "Benny Hill" comedy sketch of Chancellor Sutler included the familiar Yakety Sax theme.

A novel by Steve Moore (comics) (no relation to original author, Alan Moore) was released in addition to the film. It is a novelization of the adapted screenplay, not the graphic novel.

The story from V for Vendetta was taken from a British comic published between 1982 and 1985 in the comic anthology Warrior. The series was later collected as a graphic novel, published in the US by DC's Vertigo imprint and in the UK by Titan Books. While the film is often seen as a faithful adaptation of the original novel, there are many key differences that make the novel a very different story. These include differences in characters, setting, and plot.

The film tones down V's anarchist philosophy, as well as the amount of violence V inflicts. While the film casts V clearly a protagonist, in the novel he takes on both antagonistic and protagonistic roles. In the words of Alan Moore, V's actions were left "morally ambiguous" so that readers could consider for themselves whether his actions were heroic or atrocious. Instead of being a side-effect from bio-warefare experiments, V's abilities are explained as stemming from synthesized hormone experiments on prisoners to create super soldiers. As well, there is no overt romance between V and Evey.

Evey Hammond was originally much younger in the novel. Instead of being an assistant at the government-controlled television station (BTN), she is a desperate, would-be prostitute working at a munitions factory. Instead of having her parents be taken away for their involvement in protests, in the novel her mother dies from illness and her father is arrest for belonging to a socialist organization. Evey is also much more trusting of V immediately.

Many other characters were also significantly altered as well. Chancellor Sutler (originally Adam Susan in the novel) is less straightforward and is much more insecure. Instead of being a brooding investigator who eventually stumbles upon the truth, Finch is portrayed as an obsessive legalist who eventually kills V. Gordon is involved in organized crime in the novel, and he is killed by another gangster, not the government.

The technological, sophisticated Norsefire regime of 2020 is clean and orderly, and the setting of the novel is much darker and more chaotic. Protests, riots, and acts of terrorism were rampant, and society began to crumble; there was a backlash to maintain order, and dissidents started being held en masse by the British Government in detention centers.

Whereas the film's Norsefire party is voted into power after a Reichstag fire ploy, in the novel Norsefire comes into power after a nuclear exchange between NATO and the Soviet bloc leaves the world shattered. While not hit with a nuclear weapon, the nuclear winter leads to famine and massive flooding in the UK that gives a local militia (Norsefire) the opportunity to take power. Alan Moore later states in the foreword to the trade paperback edition of V for Vendetta that scientists now felt that even a "limited" nuclear war was not survivable. Thus biological weapons would be considered more plausible in the film.

The central themes of the story have been updated as well. As noted by Alan Moore, the film has shifted its focus from the novel's original anarchist themes, to the more American-centric conflict between liberal and neo-conservative values. Norsefire's choice of "enemies" seems to have followed suit. Whereas the ultra-conservative regime of tomorrow targets homosexuals and muslims, the fascist regime of yesterday mirrors the policies of Nazi Germany; the protection of racial purity, through the detention and execution of blacks and Jews, was prime, but homosexuals, leftists, and others were conspicuous in camps as well. Despite playing down racial elements, the film retains the Aryan superhero Storm Saxon.

Plotline involving the rivalry between the different state institutions was deleted, including the entire Rose Almond subplot (in the graphic novel, she assassinates the leader). The computer system "Fate", which played an important role in the graphic novel, is also completely absent. V's terrorist targets change as well, with the novel starting with V destroying Parliament, the Old Bailey later, and 10 Downing Street for the finale.

The ending is also significantly different in the Novel, with V being killed by by Finch instead of Creedy. As well, there is an actual confrontation that takes place between the soldiers and the citizens. After receiving Finch's report that V has been fatally wounded, the police report over loudspeakers that V is dead, and the crowd hesitates. However, after Evey lays V's body in state, she takes one of his spare costumes from the Shadow Gallery, and effectively becomes "V"; Evey-as-V appears on a rooftop and declares to the large crowd below that the reports that "he" died were just more lies, and the reinvigorated crowd rushes the barricades; a bloody riot ensues.

The film takes imagery from many past totalitarian themes both real and fictional, including Nazi Germany and George Orwell's 1984. Critics and commentators have also noted that the film contains numerous references to modern-day events and symbols surrounding the current American administration as well, including the War on Terrorism and the War in Iraq.

The "black bags" worn by the prisoners in Larkhill may reference the black bags worn by prisoners at Abu Ghraib in Iraq and Guantánamo Bay in Cuba.

Early on in the film, public loud-speakers announce that London is under a yellow-coded curfew alert. This is similar to the US Government's color-coded Homeland Security Advisory System.

One of the forbidden items in Gordon's secret basement is a protest poster with a mixed US–UK flag with a swastika and the title "Coalition of the Willing, To Power!" This is likely a reference to the real Coalition of the Willing that was formed for the Iraq War. At the same time, it also appears to be a reference to Friedrich Nietzsche's concept of Will to Power.

The media is portrayed as being highly subservient to government propaganda, which evokes common left-wing criticisms about the American media, namely that it has been too eager to support the government's line regarding threats and other issues. In the culture of fear montage of news video clips shown after Sutler orders his council to "remind the public why they need us," the BTN refers to avian flu as a pandemic.

The "Voice of London" talk show host Lewis Prothero can similarly be seen as evoking the image of conservative American pundits like Bill O'Reilly and Rush Limbaugh, particularly with Limbaugh and the character's drug use. Furthermore, it seems clear that Prothero represents an exaggerated caricature of a few current religious right activists, such as Pat Robertson and Jerry Falwell.

Lewis Prothero's combat record seems to be an allusion to the current war in Iraq and other potential troublespots ("Iraq, Kurdistan, Syria, before and after..."). Lewis also talks about America's War at the beginning of the film.

Valerie was sent to a detention facility for being a lesbian and was then tortured and had medical experiments performed on her. This is similar to Nazi Germany's treatment of gays during the Holocaust, where homosexual men were sent to concentration camps and experimented upon by Nazi doctors, in order to search for any biological means to eradicate homosexuality.
The Hitler-like Sutler primarily appears on large video screens in the film, reminiscent of Big Brother in Nineteen Eighty-Four. The state's extensive use of mass surveillance on its citizens (including closed-circuit television) is also reminiscent of the film. This is particularly noteworthy as London currently has the world's highest concentration of CCTV.[21]
The Norsefire government's "Articles of Allegiance" may be an allegorical reference to the Oath of Supremacy, a Tudor-era Oath of allegiance that was one (of many) grievances of (Catholic) Guy Fawkes leading to the 1605 Gunpowder Plot. It may also be a allusion to a proposal made early in the 21st century by the British Labour Party for the institution of an oath of allegiance for immigrants. Also, the initials "NF" of the Aryan sounding Norsefire party, may also be a reference to the fascist party the British National Front (and its related parties, named National Front, in other nations).
"V", and the movie's title, are associated with the World War II slogan "V for Victory". When V confronts Creedy in his greenhouse, he plays the first movement of Beethoven's Fifth Symphony. The opening notes of the symphony were used as a call-sign in European broadcasts by the BBC during World War II, because their rhythmic pattern resembled the letter "V" in Morse code. Vi vil vinne (We will win) was also a slogan of the Norwegian Resistance, abbreviated as "V".
The red-on-black "V" symbol resembles an inverted "A" symbol for anarchy.
The memorial to the St. Mary's disaster shows children dancing in a circle. This is reminiscent of a famous memorial showing dancing girls in Stalingrad, which was one of the few structures left standing after the Nazi attack on the city It is likely also a reference to children playing "Ring Around the Rosy", a game which involves a rhyme often (but incorrectly) believed to derive from the symptoms and effects of the black death.
Norsefire uses the Cross of Lorraine as their party symbol. This was the symbol used by the Free French Forces in WWII, and was chosen because it was a traditional French symbol of patriotism that could be used as an answer to the Nazis's Swastika. The flags could also be seen as having a Nordic style design. Another contended theory for the invention of the new flag symbol is that it is a blend of both the Engligh Saint George's Cross and the Christian Crucifix.
V's pseudonym, 'Rookwood', is the name of one of the original 1605 gunpowder conspirators, Ambrose Rookwood. There is also brief mention of two others, Catesby and Percy.
At one point V says, "A revolution without dancing is a revolution not worth having," referencing anarcho-communist Emma Goldman
The idea of passing information through a tunnel between cells is similar to the tunnel between the cells in The Count of Monte Cristo.
The only time we see V's face (in a flashback to the fire) it is shown as a featureless mass of burned tissue and described as being without eyes. This fits V's identity as a symbolic representation of the people (without a face of his own) and a representation of an idea, in this case Justice, traditionally depicted as blind.

V for Vendetta opened on March 17, 2006 in 3,365 theatres in the United States as well as the United Kingdom and six other countries. The film is expected to be theatrically distributed in 34 countries. The film led the United States box office on its opening day, taking in an estimated $8,350,000. V for Vendetta remained the number one film for the remainder of the weekend, taking in an estimated total of $25,642,340; its closest rival was Failure to Launch, which took in $15,815,000. V for Vendetta is also being shown at many IMAX theaters: it opened in 56 North American theatres and had a strong interest, grossing $1.36 million during the opening three days. Despite the film taking place in Great Britain, the film did not reach number one at their box office on the opening weekend; instead, The Pink Panther took the number one spot.

Although the film has yet to open in all markets, the film opened in a number of countries at roughly the same time as the debuts in the US and UK, either a day before or after. The film debuted at number one in South Korea, Taiwan, Sweden, Singapore and the Philippines. The film has thus far grossed (USD) $56,830,000 in the United States and $17,600,000 elsewhere, for a worldwide gross of $74,430,000.

Reviews prior to the release of the film, early reviews, namely around the Berlin Film Festival were positive. Despite Alan Moore's complaints, the critical reception of the film has largely been positive. For instance, the movie review summary website, Rotten Tomatoes, has given the film 75% Fresh approval, and Ebert & Roeper have given the film two thumbs up, it also entered the IMDb top 250 at #224 after three days and as of 31 March 2006 stands at #220 at a rating of 8.1/10 after two weeks and roughly 24,614 votes.

Positive reviews have cited great acting and writing, whilst the controversial aspects have also been praised, critics appreciating the film for being daring and calling it the "most politically charged film since Fahrenheit 9/11"; it has also been described as a "political thriller that will literally take your breath away".

One of the most negative reviews came from Michael Medved of conservative radio, who called the film "V for vile, vicious, vacuous, venal, verminous and vomitaceous." Medved also said that the audience will lose interest about halfway through the film and that it has a confusing ending.

Conservative Christian movie reviewers have also blasted the movie for the movie's potrayal of Christianity. They are also critical of the film being symathetic towards homosexuality and Islam.

Although the film is an adaption of a text that was written during the 1980s, as mentioned above, some have viewed the film as a social critique of today's society. As expected, Vendetta's thought-provoking storyline has seen it come under criticism for its portrayal of anti-government fighters. Before its theatrical release, some were ready to label it as a glorification of terrorism. On opening day, Reuters echoed the sentiment calling, V for Vendetta "a movie whose heroes are terrorists," although it should be noted that the Reuters article itself referred mainly to an expected reaction and was not disparaging the film.

Many libertarians, especially at the Mises Institute's LewRockwell.com see the film as a positive depiction in favor of a free society with limited government and free enterprise, citing the state's terrorism as being of greater evil and rationalized by its political machinery, while V's acts are seen as 'terroristic' because they are done by a single individual.

Some anarchist groups decided to use the release of the film as a chance to gain publicity for anarchism as a political philosophy. In New York City, anarchists began distributing literature outside theaters during sneak previews on March 16. However, anarchists have remained ambivalent about the film itself, with a number feeling the work has been censored. One of the more popular fliers states that the anarchist message of the original graphic novel has been "watered down" in order to satisfy a mass Hollywood audience.

The film has also met with disapproval by some socialist circles, who see the movie as an expression of revolutionary spontaneity and the "great savior" individual who liberates the oppressed masses from fascism, rather than a collective act of revolution from the entire population.However, this view fails to appreciate that this great savior actually represents ideas of revolution and of free minds. It is explicitly stated that V is a manifestation of an idea, and at the end, Evey reveals that his identity is that he is every citizen. Indeed, defenders of the film point out that V could have single-handedly taken down the fascist government as a great savior, but he choses not to: what V wants is to motivate the common people to rise up against the government. In the film, V could have used his Tube train bomb to blow up Parliament right at the beginning of the story, all by himself. Instead, V took over the state-run airwaves to plead with the general populace to rise up with him on the next November 5th in a show of solidarity when Parliament is destroyed. Also, V sent out hundreds of thousand of spare Guy Fawkes costumes, so anyone in London could become a revolutionary like him.