Notting Hill is a 1999 romantic comedy film set in the Notting Hill district of London, England, United Kingdom, released on May 21, 1999. The screenplay was written by Richard Curtis who had previously written Four Weddings and a Funeral. It was produced by Duncan Kenworthy, and directed by Roger Michell. The film stars Julia Roberts, Hugh Grant, Rhys Ifans, Emma Chambers, Tim McInnerny, Gina McKee and Hugh Bonneville.

William Thacker is the owner of an independent bookstore which specializes in travel writing in Notting Hill. Witty, cultivated and handsome, he has not been coping well with his divorce and is currently sharing his house with an eccentric Welsh wannabe artist named Spike.

Thacker encounters world famous Hollywood actress Anna Scott during her trip to London when she enters his shop to buy a book. Shortly thereafter, they accidentally collide in the street, causing William to spill orange juice on both of them. He offers his house, which is just across the road, as a place for her to get changed. Anna accepts and they repair to his abode.

Will invites Anna to his sister Honey's birthday. Although Anna feels at home with his circle of friends, William more and more realises that he is not cut out to be a famous actress's boyfriend. First, he is shocked when he finds out that she has an American boyfriend, although Anna asserts that they have broken up. Some time later, after they spent the first night together at William's flat, careless talk by Spike down at the pub results in a throng of reporters at their doorstep trying to take their pictures. She leaves in a hurry, and William decides once and for all to forget her. However, over the months that follow, none of his friends' attempts to find him a girlfriend is successful.

Back in England to make a film, Anna Scott shows up at his bookshop once again, hoping to resume their love affair, but William turns her down. Only after he has rejected her, and she has gone again does William realize that he has just made the biggest mistake of his life. He and his friends search for Anna, racing across London in Max's car. They reach Anna's press conference before she can leave for the United States, and Will sucessfully persuades her to stay in England with him.

After Anna's decision to stay "indefinitely", she and Will attend a film premiere together. The pair get married, and the film ends with a pregnant Anna and William on a bench in Notting Hill.

Julia Roberts as Anna Scott: A world famous film star. She meets Will whilst filming in Notting Hill, when she comes into his book shop.
Hugh Grant as William Thacker: Owner of a travel book shop in Notting Hill, who has recently divorced his wife. He meets Anna Scott when she comes in looking for a book.
Rhys Ifans as Spike: Will's strange Welsh flatmate, who dreams of being an artist. Described by Will as "the stupidest person in the world".
Emma Chambers as Honey Thacker: Will's ditzy younger sister, she is a huge fan of Anna Scott.
Tim McInnerny as Max: Will's best friend, who Will often stays with. He and Bella host Honey's birthday party.
Gina McKee as Bella: Max's wheelchair bound wife.
Hugh Bonneville as Bernie: A failing stockbroker and a friend of Will. He fails to realise who Anna Scott is upon first meeting her.
James Dreyfus as Martin: Harry's assistant at his bookshop.
Richard McCabe as Tony: A failing restaurateur, who's restaurant the group often attend.
Dylan Moran as Rufus: A theif who attempts to steal from Will's bookshop. Despite being caught on the CCTV he profresses his innocence, and conceals the stolen book in his underpants.
Alec Baldwin makes an uncredited appearance as Anna's American boyfriend. Sanjeev Bhaskar has a cameo role as one of the loud and offensive men in the restaurant Anna and Will attend. A young Mischa Barton makes a brief appearance as the child actor whom William interviews for Horse & Hound magazine.

Richard Curtis spoke at length as to how he originally came up the idea for the film.
"When I was lying sleepless at nights I would sometimes wonder what it would be like if I just turned up at my friends' house, where I used to have dinner once a week, with the most famous person at that time, be it Madonna or whomever. It all sprang from there. How would my friends react? Who would try and be cool? How would you get through dinner? What would they say to you afterwards? That was the starting point, the idea of a very normal person going out with an unbelievably famous person and how that impinges on their lives."

Four Weddings and a Funeral director Mike Newell was approached for the film, but rejected it to work on Pushing Tin instead. He did later admit that in commercial terms he had made the wrong decision, but did not regret. The film's producer Duncan Kenworthy then turned to Roger Michell, stating that "Finding someone as good as Roger, was just like finding the right actor to play each role. Roger shone out."

Julia Roberts was the prodution team's "one and only" choice for the role of Anna, although Michell and Kentworthy did not expect her to accept the part. She did however take the role, with her agent citing it as "the best romantic comedy she had ever read". Roberts herself commented that after reading the script she decided she was "going to have to do this". The decision to cast Hugh Grant as Will was unanimous, as together Grant and Curtis had a "writer/actor marriage made in heaven". Michell stated that "Hugh does Richard better than anyone else, and Richard writes Hugh better than anyone else", and that Grant is "one of the only actors who can speak Richard's lines perfectly". The casting of Hugh Bonneville, Tim McInnerny, Gina McKee, Emma Chambers and Rhys Ifans as Will's group of friends was "rather like assembling a family". Michell explained that "When you are casting a cabal of friends, you have to cast a balance of qualities, of types and of sensibilities. They were the jigsaw that had to be put together all in one go, and I think we've got a very good variety of people who can realistically still live in the same world."

Curtis chose the setting of Notting Hill for the film as he lived there and knew the area well, stating "Notting Hill is a melting pot and the perfect place to set a film". This left the producers with a challenge of having to film in a heavily populated area. Kenworthy noted "Early on, we toyed with the idea of building a huge exterior set. That way we would have more control, because we were worried about having Roberts and Grant on public streets where we could get thousands of onlookers." In the end they decided to take the risk anyway and film in the actual streets. Michell was worried "that Hugh and Julia were going to turn up on the first day of shooting on Portobello Road, and there would be gridlock and we would be surrounded by thousands of people and paparazzi photographers who would prevent us from shooting". The location team, and security forces prevented this, as well as preventing problems the presence of a film crew may have caused the residents of Notting Hill, who Michell believes were "genuinely excited" about the film. The film's location manager Sue Quinn described her job of finding suitable locations and getting permission to film there as "a mammoth task". She said "The major problem we encountered was the size of our film unit. We couldn't just go in and shoot and come out. We were everywhere. Filming on the London streets has to be done in such a way that it comes up to health and safety standards. There is no such thing as a road closure. We were very lucky in the fact that we had 100% cooperation from the police and the Council. They looked favorably on what we were trying to do and how it would promote the area." Quinn and the rest of her location team had to send letters to thousands of people in the area, promising that they would donate to each person's favourite charity, resulting in over two hundred different charities receiving money from the film project.

The film's poduction designer was Stuart Craig who was pleased for the chance to do a contempory film, stating on the film "we're dealing with streets with thousands of people, market traders, shop owners and residents which makes it really complex". Filming began on April 17, 1998, in both West London and at Shepperton Studios. Will's bookshop was situated on Portobello Road, which was one of the main areas in which filming took place. Other places within Notting Hill where filming took place included Westbourne Park Road, Golborne Road, Landsdowne Road and the Coronet Cinema. After filming for a period of six weeks in Notting Hill, filming moved to the Ritz Hotel, where filming had to take place at night, the Savoy Hotel, the Nobu Restaurant, the Zen Garden and Kenwood House. One the film's final scenes takes place at a film premiere, which presented difficulties for the production team. Michell wanted to film the scene in Leicester Square, but their request was declined due to huge problems that fans attending a Leonardo DiCaprio premiere had caused the police. Through a health and safety act, the production recieved permission to film and constructed the scene in just twenty-four hours. Interior scenes were they last scenes to be filmed, with them taking place at Shepperton Studios.

The film features the 1950 Marc Chagall painting La Mariée. In the story, Anna sees a print of the painting in William's home, and later gives him what is presumably the original. According to director Michell in an article in Entertainment Weekly, the painting was chosen because screenwriter Curtis was a fan of Chagall's work, and because La Mariée "depicts a yearning for something that's lost." Producers had a reproduction made for use in the film, but had to first get permission from the painting's owners as well as clearance from the British Design and Artists Copyright Society. Finally, according to producer Kenworthy, "we had to agree to destroy it. They were concerned that if our fake was too good, it might float around the market and create problems." The article also noted that "some experts say the real canvas could be worth between $500,000 and $1 million."

Music for the film was composed by Four Wedding and a Funeral composer Trevor Jones. Several additional songs written by other artists appeared on the film's soundtrack. These include Elvis Costello's cover of the Charles Aznavour song "She", as well as Ronan Keating's specially recorded cover version of "When You Say Nothing at All", the song reached number one in the British charts. Originally, Charles Aznavour's version of the song was used in the film, but American test screening audiences could not understand it. Costello was then brought in by Richard Curtis to record a cover version of the song.

The film was meet with generally positive reviews, scoring and 85% "Cream of the Crop" rating at Rotten Tomatoes. "Variety's Derek Elley said that "It's slick, it's gawky, it's 10 minutes too long, and it's certainly not "Four Weddings and a Funeral Part 2" in either construction or overall tone.", giving it an overall postive review. Cranky Critic called it "Bloody damned good", as well as saying that it was "A perfect date flick." Nitrate said that "Notting Hill is whimsical and light, fresh and quirky", with "endearing moments and memorable characters". In his review of the film's DVD John J. Puccio noted that "The movie is a fairy tale, and writer Richard Curtis knows how much the public loves a fairy tale", calling it "a sweet film". Desson Howe of the Washington Post gave the film a very positive review, praising Rhys Ifans peformance as Spike. James Sanford gave Notting Hill three and a half stars, saying that "Curtis' dialogue may be much snappier than his sometimes dawdling plot, but the first hour of "Notting Hill" is so beguiling and consistently funny it seems churlish to complain that the rest is merely good." Sue Pierman of the Milwaukee Journal Sentinel stated that "Notting Hill is clever, funny, romantic - and oh, yes, reminiscent of Four Weddings and a Funeral", but that the film "is so satisfying, it doesn't pay to nitpick." Roger Ebert praised the film, saying "the movie is bright, the dialogue has wit and intelligence, and Roberts and Grant are very easy to like." Kenneth Turan gave a good review, concluding that "the film's romantic core is impervious to problems". CNN reviewer Paul Clinton said that Notting Hill "stands alone as another funny and heartwarming story about love against all odds".

Widgett Walls of Needcoffee.com gave the film "three and a half cups of coffee", stating that "the humor of the film saves it from a completely trite and unsatisfying (nay, shall I say enraging) ending", but criticised the film's soundtrack. Dennis Schwartz gave the film a bad review with a grade of "C-" citing "this film was pure and unadulterated balderdash".

Notting Hill was placed 95th on the British Film Institute's "list of the all-time top 100 films", the results of the list were based on estimates of each film's British cinema admission level.

The film charted well at the box office, earning $116,089,678 as its overall domestic gross, with a worldwide gross of $363,889,678, losing out to Star Wars Episode 1: The Phantom Menace. It totaled $27.7 million over its opening weekend, breaking American box office records, and making it the biggest ever opening for a romantic comedy film at that point, beating previous record holder My Best Friend's Wedding. Notting Hill made another $15 million the following week, but then began to lose out. One month after its release, Notting Hill lost its record for highest grossing opening weekend for a romantic comedy film to Runaway Bride. It was the sixteenth highest grossing film of 1999, and as of May 2007 is the 104th highest grossing film of all time. At the time, it had bceome the highest grossing British film of all time.

Notting Hill won the Audience Award for Most Popular Film at the BAFTAs in 2000, and was nominated in the categories of The Alexander Korda Award for Outstanding British Film of the year, and Best Performance by an Actor in a supporting role for Rhys Ifans. The film also won Best Comedy Film at the British Comedy Awards. The film's soundtrack won Best Soundtrack at the Brit Awards, beating Star Wars - Episode I: The Phantom Menace. The film won Best British Film, Best British Director for Roger Michell, and Best British Actor for Hugh Grant a the Empire Awards. The film received three nominations at the Golden Globes, in the categories Best Motion Picture - Comedy/Musical, Best Motion Picture Actor - Comedy/Musical for Hugh Grant, and Best Motion Picture Actress - Comedy/Musical for Julia Roberts.